Class attitudes and cultural differences collide like the paint and colors of a Jackson Pollock painting in Stephen Sachs’ comedy “Bakersfield Mist,” which Invisible Theatre opened Wednesday night.
Sachs, inspired by news accounts of a woman who purchased what she hoped was a Pollock painting in a thrift store, puts Maude Gutman (Susan Kovitz) in The Sage Brush Trailer Park in rural California with a painting that might — or might not — be a pricy Jackson Pollock, which she picked up for $3 as a joke gift for a friend. Maude is a rough-hewn, profanity-spewing unemployed bartender who is anxious to prove the authenticity of the supposed Pollock. She wants it to be real, and not just for the money.
A former director of the Metropolitan Museum of Art, dubbed the “Vatican of art” in the play, and expert from the hoity-toity International Foundation for Art Research in New York, Lionel Percy (Roberto Guajardo), comes to Maude's trailer to inspect the painting and determine if the piece is real or if it is a fake. Buttoned-up Lionel fancies himself the ultimate “fake buster.”
As the two collide over the painting's authenticity, the definition of art and what art should be and do is explored. Lionel’s richly textured description of the difference between the shallowness of a drip-and-splatter painter who copied Pollock, and the fire, power and allure of Pollack, which Guajardo delivered with passion, gives pause and pushes consideration of personal views of art.
Notions of instant impressions and authenticity percolate as the characters verbally spar, lubricated by a bottle of Jack Daniel's. Kovitz brings unsophisticated Maude’s hard-living, working-class wit and sensibilities to the surface and she evokes empathy.
Guajardo’s physical comedy — the blink of his eyes and the way he leans to the side as he inspects the painting — shows his character is more that a stuffed suit with a matching handkerchief. And, oh, can Guajardo deliver a line oozing with sarcasm.
Director Gail Fitzhugh, effectively working with Invisible Theatre’s small, angular stage space, begins the play by having Kovitz flit around the trailer while Guajardo was more rigid, seated on a chair with his briefcase and papers in front of him — another signal of their differences. Fitzhugh also adds depth to the characters’ personalities as underlying demons are revealed. Maude won't be intimidated or belittled by her lack of education or social status, and Lionel packs professional and personal baggage.
Set designers James Blair and Susan Claassen must have spent weeks rummaging through second-hand stores and yard sales. The entire play takes place in the tiny kitchen-dining-living area of Maude’s trailer, which is furnished with bright, bold colored patterns on the dinette, portable snack tables and hand-crocheted afghans, and is crammed with brick-a-brac like M&M’s-themed tchotchkes. Maude calls herself a packrat and freely admits that she frequents thrift stores and the bottoms of garbage bins for her décor.
However, Maude’s trailer, cluttered with her trashy treasures and is a mishmash of colors, textures and themes, is full of her vitality. They give her pleasure. Like a Pollock painting.
Unlike a Pollock painting, the play has patronizing points. Kovitz and Guajardo make strong adversaries with dueling personalities, yet the characters are overly stereotypical. And the name "Gutman" dealing with first impression? Oh, please.
And the ending is just too precious.
Overall, “Bakersfield Mist” is an enjoyable production that will have you thinking about art and its intrinsic value, and maybe checking the painting section the next time you’re in a thrift store.
Contact Ann Brown at firstname.lastname@example.org or 573-4226. On Twitter: @AnnattheStar
Moody noir musical 'Gunmetal Blues' depicts misfortune in surreal world December 09, 2008, 9:49 a.m. CHUCK GRAHAM Tucson Citizen "Gunmetal Blues" rises out of the darkened Invisible Theatre stage as a 1930s nightclub gangster caper that's four parts atmosphere and one part action, with a twist. Armen Dirtadian looks terrific as Sam Galahad, the well-dressed loser who's old enough to know better but has never learned to resist. Dirtadian is well-known around Tucson for his dashing roles as the broad-shouldered leading man at Gaslight Theatre, but is keeping his personality in the shadows here. He plays a private eye so down on his luck, no client is ever turned away from his tattered office. Betsy Kruse Craig (another Gaslight star) steps into the IT spotlight as that tall blonde who doesn't care how much trouble Sam gets sucked into. She also plays three other blondes with their own suspicious motives. Taking on several additional roles is Mike Padi
From: CATHY JOHNSON <email@example.com> Sent: Friday, May 10, 2019 12:51 PM Subject: More Auditions at Invisible Theatre Invisible Theatre Announces OPEN AUDITIONS FOR TEENAGERS, MEN AND WOMEN Monday, May 20, 2019 at 5:30 PM At Invisible Theatre 1400 N. First Avenue (at the corner of Drachman) SHOW TBA April 21 - May 10, 2020 (rehearsals begin in March) AGE RANGE for auditioners: BOY, 17 years old - a junior in high school. GIRL, 17 years old WOMAN, Early 40s MARTIN, 65 to 70 All positions are paid. Sides will be available after May 15 at the Invisible Theatre (1400 N. First Ave) between 10:00 am and 2:00 pm Monday-Thursday. People must sign up by calling Alayna Voutsas at (520) 884-0672, or email firstname.lastname@example.org . ------------------------------------- Tucson Theatre Announcement List TucsonStage.com for subscription information
Link to AZ Star Tucson's Invisible Theatre starts its season with laughs By Kathleen Allen Arizona Daily Star Tim Fuller "Love and Marriage Go Together Like" … unless you are romance author Frances Kittridge (Susan Kovitz) and her husband comedy columnist Colin (David Johnston) who are going through a trial separation and division of worldly goods while living in the same NYC apartment! So she has planned Invisible Theatre’s season accordingly. “The first couple of shows are lighthearted in what appears to be a challenging fall for the world,” says Claassen, the company’s managing artistic director. Next week, IT opens its 2016-17 season with Fred Carmichael’s comedy, “Coming Apart.” At its heart: “Coming Apart is “a romantic comedy of love and marriage, but it also touches on what happens when pride enters a relationship,” says Claassen, who is a member of the cast. The couple coming apart are both writers who have been marrie