Skip to main content

A Rave for HANDLE WITH CARE
Arizona Daily Star

Invisible Theatre has accomplished the seemingly impossible:
Found a talented Hebrew-speaking actress in Tucson.
Noga Panai spent the bulk of her time as Ayelet in IT’s current offering, “Handle With Care,” speaking Hebrew. It was a demand of the role that that be her first, and almost only, language. Really, now, how many actors can you point to here that could step into that role? And step into it well?
While no one else on the stage understood her character (except her grandmother in the few scenes they had), and most of the audience wasn’t sure what she was saying, Panai made Ayelet, a young Israeli who has reluctantly accompanied her grandmother on a trip to the to states, full and recognizable.
This Jason Odell Williams play about fate and a search for love and meaning is slight, and excessively contrived.
But this cast of four, directed with a tender touch by Susan Claassen, made us believe — in fate, friendship, and love at first — maybe it was the second — glance.
Ayelet and her grandmother (Lois Lederman nicely portrayed the hopelessly romantic oldster) have been haunting small, out-of-the way Virginia towns. They stay in blah hotel rooms — think the lower-end of Motel 6 — in search of something. Ayelet doesn’t know what, and her grandmother isn’t saying. At least not at first.
When her grandmother dies, Ayelet quickly makes arrangements to fly her back to Israel. Thing is, Terrence, the seriously spacey courier (a very funny Jesse Boone), loses the body. As he speaks no Hebrew, and she no English, getting the message across is a tad difficult.
Enter Josh (Luke S. Howell in a sweet and completely sincere performance). Josh is Terrence’s friend and happens to have a Jewish mother. Terrence makes the giant leap that, therefore, Josh can speak Hebrew.
“Handle With Care” chronicles their struggles to communicate as the story jumps back and forth between the day of the death, and the day after.
There are plenty of laughs in the play, but more than anything it has a sweetness that counterbalances the thin plot. And while the story might not stick with you, this cast and its heartfelt performances surely will.


Copyright 2014 Arizona Daily Star. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Popular posts from this blog

Theater worth catching. | www.azstarnet.com ®

Theater worth catching. Accent On stage Tucson, Arizona Published: 03.14.2008 http://www.azstarnet.com/ : "If you've watched HBO, you've likely seen Judy Gold. She's the tall comedian with the glasses who interviews moviegoers to fill airtime between shows. She also won an Emmy for her work on 'The Rosie O'Donnell Show.' She's very funny. And she's headed our way. Invisible Theatre brings Gold here to perform her solo off-Broadway show, '25 Questions for a Jewish Mother,' taken from Gold's book of the same name. It consists of interviews she conducted across the country with mothers of varying ages, ethnicities and occupations. She'll perform at 8 p.m. March 29 and 3 p.m. March 30 at The Berger Performing Arts Center, 1200 W. Speedway. There will be an interview with Gold in next Friday's Accent, but we wanted to alert you early in case you want to get tickets — we suspect this will be a hot one. It's written by Kate Moira Ry...
Talent shines in play about acting | Invisible Theatre : Talent shines in play about acting “Circle Mirror Transformation” is billed as a comedy, but it's also a heady drama about the limits of self discovery Posted Nov 5, 2011, 10:15 am Dave Irwin TucsonSentinel.com Written by Annie Baker, “Circle Mirror Transformation” won the 2010 Obie Award for Best New American Play and made a number of lists for top ten plays of 2009. It’s refreshingly unorthodox structure and setting - a rural classroom of actors playing non-actors who want to be actors - provides a meta-analysis on the nature of acting itself. It’s pure post-modern, but with a hint of quaint. It must be said up front that portraying an amateur actor ironically requires considerable acting skill. Fortunately, this production has a balanced, talented cast that doesn’t overwhelm the intimate Invisible Theatre space. Director Betsy Kruse Craig keeps a subtle hand on the proceedings, letting the action simmer nervous...

Broadway World Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT

  Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT https://www.broadwayworld.com/phoenix/article/Review-Invisible-Theatre-Opens-51st-Season-with-LIFESPAN-OF-A-FACT-20220905?fbclid=IwAR2mZ5Iwsj_LVsppP13ho-poXjIDN-MW5ZLgWOnVKAQIzB91JuexqHQOUZo  The play is based on a book transcribed from a controversial essay. by  Robert Encila-Celdran   Sep. 05, 2022              At the heart of THE LIFESPAN OF A FACT is the heady and contentious intersection of journalism and creative prose. Invisible Theatre's 51st season-opener is based on John D'Agata's book of the same title, co-authored by Jim Fingal, who had served as a fact checker of John D'Agata's original essay from which the book was transcribed. Prior to their shared achievement, the authors had a wrangling seven-year discourse related to questionable details about D'Agata's otherwise compelling narrative about the culture of suicide in Las Vegas. T...