Skip to main content

IT's 'Leaving Iowa' is a poignant and hilarious take on family trips | www.azstarnet.com ®


IT's 'Leaving Iowa' is a poignant and hilarious take on family trips | www.azstarnet.com ®:
Accent

IT's 'Leaving Iowa' is a poignant and hilarious take on family trips
By Cathalena E. Burch
Arizona Daily Star
Tucson, Arizona | Published: 09.18.2009

Don Browning is on a mission.

He needs to spread his father's ashes at his grandparents' Iowa home.

Problem is, the home is gone, replaced by a grocery store.

It just doesn't seem right to leave Dad in aisle 7, next to the kitty litter.




From left, Mom (Victoria McGee), Dad (David Johnston), Don (Roberto Guajardo) and Sis (Susan Kovitz) study the Iowa map to plan their next "exotic" trip in Invisible Theatre's "Leaving Iowa."
Tim Fuller / Courtesy of Invisible Theatre

So Don's predictable mission becomes a major adventure along the endlessly bucolic landscape of Iowa, where adventures are as hard to come by as steep hills.

Along the way, he recounts boyhood road trips with his history-obsessed, side-tripping father as he tries to find the most suitable resting place.

That's the premise of Tim Clue and Spike Manton's "Leaving Iowa," a poignantly touching and belly-bustingly funny story of family dynamics that Invisible Theatre is staging to open its 39th season.
The story is told through seamlessly executed flashbacks that take us along with the Brownings on their "unpredictable" family vacations to exotic locales like Hannibal, Mo. The trips are always predictable: Dad drags them along to see historic markers and Civil War re-enactments, and Mom gets swooped up in a traveling Amish flea market.

The stage is simply set with boxes that the actors roll around to create different scenes — the family car, a counter at the diner, a hotel counter, an auto shop and a bar.

There's a serious risk here for the time-traveling to trip up the audience. But clever lighting and impeccably timed interruptions — Mom, Dad and Sis freeze in their tracks as Don flips midscene to current day — kept the action on track.

"Leaving Iowa" also could easily slip into sappy sentimentality, but director Susan Claassen, IT's longtime managing artistic director, was happily restrained. She allowed the mushy moments — like when Don breaks down in an out-of-the-way diner and weeps over the missed opportunity to attend his father's funeral — to evolve organically.

Don's diner outburst was the play's most dramatic moment. Most of the other action left Wednesday's nearly sold-out opening-night audience laughing like they were watching home movies from their own lives.
The humor in the hands of this cast never felt forced. David Johnston's father figure is the oblivious nerd, obsessed with passing every recreational vehicle on the highway and taking his family on history-seeking adventures that play out more like a dentist visit than a vacation.

Victoria McGee as Mom is sublimely understated, the perfect June Cleaver wannabe. On the rare occasions she raises her voice, everyone snaps to attention.

Roberto Guajardo brings a well-timed sense of humor to Don as he narrates the family's vacation slide show with deliciously funny asides, and Susan Kovitz is richly annoying as the pestering little sister. The two together are pricelessly true-to-life, particularly in the scene where Sis convinces Daddy that Don smacked her with his copy of Mark Twain short stories. Truth is she thumped him.

(Don't be embarrassed if you whisper to your neighbor, "That's my kids" or "That was me and my sister." It's easy to see yourself in these characters.)

But the runaway scene stealers throughout the production were Terry Erbe and Lori Hunt, who play at least a half-dozen characters — from the Brownings' grandparents to the car mechanic and his John Wayne-impersonating sidekick; diner cook and annoyingly chatty waitress; and hotel clerk and flirtatious hotel guest.

Erbe and Hunt deliciously exaggerated every back-road stereotype, from the hillbilly drawl to the bumbling, dumbstruck demeanor that defined most of those characters. Never once, though, did it come off as gratuitous or forced.

Review
"Leaving Iowa"
• Presented by: Invisible Theatre.
• Playwrights: Tim Clue and Spike Manton.
• Director: Susan Claassen.
• When: 7:30 p.m. Wednesdays and Thursdays; 8 p.m. Fridays and Saturdays; and 3 p.m. Sundays through Oct. 4.
• Where: Invisible Theatre, 1400 N. First Ave.
• Tickets: $22-$25, with rush tickets available for half-price a half-hour before curtain, if available.
• Information/reservations: 882-9721.
Contact reporter Cathalena E. Burch at 573-4642 or cburch@azstarnet.com

Popular posts from this blog

Moody noir musical 'Gunmetal Blues' depicts misfortune in surreal world

Moody noir musical 'Gunmetal Blues' depicts misfortune in surreal world December 09, 2008, 9:49 a.m. CHUCK GRAHAM Tucson Citizen "Gunmetal Blues" rises out of the darkened Invisible Theatre stage as a 1930s nightclub gangster caper that's four parts atmosphere and one part action, with a twist. Armen Dirtadian looks terrific as Sam Galahad, the well-dressed loser who's old enough to know better but has never learned to resist. Dirtadian is well-known around Tucson for his dashing roles as the broad-shouldered leading man at Gaslight Theatre, but is keeping his personality in the shadows here. He plays a private eye so down on his luck, no client is ever turned away from his tattered office. Betsy Kruse Craig (another Gaslight star) steps into the IT spotlight as that tall blonde who doesn't care how much trouble Sam gets sucked into. She also plays three other blondes with their own suspicious motives. Taking on several additional roles is Mike Padilla, wh

Broadway World Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT

  Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT https://www.broadwayworld.com/phoenix/article/Review-Invisible-Theatre-Opens-51st-Season-with-LIFESPAN-OF-A-FACT-20220905?fbclid=IwAR2mZ5Iwsj_LVsppP13ho-poXjIDN-MW5ZLgWOnVKAQIzB91JuexqHQOUZo  The play is based on a book transcribed from a controversial essay. by  Robert Encila-Celdran   Sep. 05, 2022              At the heart of THE LIFESPAN OF A FACT is the heady and contentious intersection of journalism and creative prose. Invisible Theatre's 51st season-opener is based on John D'Agata's book of the same title, co-authored by Jim Fingal, who had served as a fact checker of John D'Agata's original essay from which the book was transcribed. Prior to their shared achievement, the authors had a wrangling seven-year discourse related to questionable details about D'Agata's otherwise compelling narrative about the culture of suicide in Las Vegas. The 2003 essay, titled  What Happens There

INVISIBLE THEATRE ANNOUNCES AN EXCITING AND DIVERSE LINEUP OF PLAYS FOR ITS 2022-2023 SEASON!

 INVISIBLE THEATRE ANNOUNCES AN EXCITING AND DIVERSE LINEUP OF PLAYS FOR ITS 2022-2023 SEASON!  (April 1, 2022, Tucson, AZ); Invisible Theatre’s Managing Artistic Director, Susan Claassen and Associate Directors James Blair and Betsy Kruse Craig, announce six plays for the company’s 51st Anniversary Season. The lineup includes the SW premieres of acclaimed Off-Broadway contemporary plays, romantic comedies, the Arizona premieres of the award-winning musical tribute to the great Billie Holiday with BILLIE! - Backstage with Lady Day and intimate portraits of outspoken “Defenders of Liberty” like witty and brassy Molly Ivins in RED HOT PATRIOT: The KickAss Wit of Molly Ivins and the Off-Broadway acclaimed WIESENTHAL that tells the compelling story of Nazi hunter Simon Wiesenthal. The season also includes THE SABBATH GIRL, a contemporary comedy with an old-fashioned heart, SMALL MOUTH SOUNDS, a unique and compassionate new play that asks how we address life’s biggest questions when words f