Skip to main content

'Business of Murder' is suspenseful and full of twists | www.azstarnet.com ®

'Business of Murder' is suspenseful and full of twists www.azstarnet.com ®:

Published: 11.23.2007

'Business of Murder' is suspenseful and full of twists

By Kathleen Allen

ARIZONA DAILY STAR

It's autumn in London, the early 1980s.

A man by the name of Stone has asked the police detective, John Hallett, to help set his son straight — he's selling drugs, and he's in serious trouble, says Stone.

And so begins "The Business of Murder," a suspense-filled story with more twists than San Francisco's Lombard Street.

"I love this genre," says James Blair, who is directing the production for Invisible Theatre.

"I like the old English mysteries that are a little claustrophobic. Something's familiar about them, but something's off."

And there's definitely something off about this Richard Harris story. And compelling — it ran in London for nine years.

That doesn't surprise Blair.

"It's just very intelligently written," he said in a recent phone interview. "It's very literate, and so driven by the three characters. And once you get a sense of a character, then it shifts."

Those shifts keep Blair on his toes.

"I have to highlight all the clues," he said. "I have to make sure the audience sees all the clues — but not so much that they figure it out."

The London production coaxed all sorts of "wows" out of the hard-to-please press there.

"Welcome to a thriller that achieves it all," gushed The London Times.

"The most ingenious murder mystery to have appeared on the London stage in a decade," crowed the Daily Mail.

And this from the Sunday Mirror:

"The best stage thriller for years, it is sharply written … and kept me guessing to the end."

With a play with such high expectations, you've got to have a cast to carry it off.

He's got one, said Blair: Maedell Dixon, Harold Dixon and Douglas Mitchell, all actors with impressive professional theater résumés.

While you can expect to enjoy yourself at the production, don't expect an epiphany, said Blair.

"A mystery is just a good time," he said. "They don't make political statements or anything like that. For two hours, you can forget about everything else and enjoy a good mystery. And the script has enough twists in it, I don't think anyone will be able to figure it out."

Preview

"The Business of Murder"

•Presented by: Invisible Theatre.
•Playwright: Richard Harris.
•Director: James Blair.
•When: Preview is 7:30 p.m. Tuesday, opening is 7:30 p.m. Wednesday. Regular performances are 7:30 p.m. Wednesdays and Thursdays; 8 p.m. Fridays and Saturdays, and 3 p.m. Sundays through Dec. 16.
•Where: Invisible Theatre, 1400 N. First Ave.
•Tickets: The preview is $16; regular performances are $22-$25.
•Information: 882-9721.
•Running time: 2 hours, plus one intermission.
•Cast: Maedell Dixon, Harold Dixon, Douglas Mitchell.
•Et cetera: Tickets are half-price one-half hour before a performance.

● Contact reporter Kathleen Allen at kallen@azstarnet.com or 573-4128.

Popular posts from this blog

Theater worth catching. | www.azstarnet.com ®

Theater worth catching. Accent On stage Tucson, Arizona Published: 03.14.2008 http://www.azstarnet.com/ : "If you've watched HBO, you've likely seen Judy Gold. She's the tall comedian with the glasses who interviews moviegoers to fill airtime between shows. She also won an Emmy for her work on 'The Rosie O'Donnell Show.' She's very funny. And she's headed our way. Invisible Theatre brings Gold here to perform her solo off-Broadway show, '25 Questions for a Jewish Mother,' taken from Gold's book of the same name. It consists of interviews she conducted across the country with mothers of varying ages, ethnicities and occupations. She'll perform at 8 p.m. March 29 and 3 p.m. March 30 at The Berger Performing Arts Center, 1200 W. Speedway. There will be an interview with Gold in next Friday's Accent, but we wanted to alert you early in case you want to get tickets — we suspect this will be a hot one. It's written by Kate Moira Ry...
Talent shines in play about acting | Invisible Theatre : Talent shines in play about acting “Circle Mirror Transformation” is billed as a comedy, but it's also a heady drama about the limits of self discovery Posted Nov 5, 2011, 10:15 am Dave Irwin TucsonSentinel.com Written by Annie Baker, “Circle Mirror Transformation” won the 2010 Obie Award for Best New American Play and made a number of lists for top ten plays of 2009. It’s refreshingly unorthodox structure and setting - a rural classroom of actors playing non-actors who want to be actors - provides a meta-analysis on the nature of acting itself. It’s pure post-modern, but with a hint of quaint. It must be said up front that portraying an amateur actor ironically requires considerable acting skill. Fortunately, this production has a balanced, talented cast that doesn’t overwhelm the intimate Invisible Theatre space. Director Betsy Kruse Craig keeps a subtle hand on the proceedings, letting the action simmer nervous...

Broadway World Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT

  Review: Invisible Theatre Opens 51st Season with THE LIFESPAN OF A FACT https://www.broadwayworld.com/phoenix/article/Review-Invisible-Theatre-Opens-51st-Season-with-LIFESPAN-OF-A-FACT-20220905?fbclid=IwAR2mZ5Iwsj_LVsppP13ho-poXjIDN-MW5ZLgWOnVKAQIzB91JuexqHQOUZo  The play is based on a book transcribed from a controversial essay. by  Robert Encila-Celdran   Sep. 05, 2022              At the heart of THE LIFESPAN OF A FACT is the heady and contentious intersection of journalism and creative prose. Invisible Theatre's 51st season-opener is based on John D'Agata's book of the same title, co-authored by Jim Fingal, who had served as a fact checker of John D'Agata's original essay from which the book was transcribed. Prior to their shared achievement, the authors had a wrangling seven-year discourse related to questionable details about D'Agata's otherwise compelling narrative about the culture of suicide in Las Vegas. T...