Invisible Theatre News

A Rave for HANDLE WITH CARE Arizona Daily Star Invisible Theatre has accomplished the seemingly impossible: Found a talented Hebrew-speaking actress in Tucson. Noga Panai spent the bulk of her time as Ayelet in IT’s current offering, “Handle With Care,” speaking Hebrew. It was a demand of the role that that be her first, and almost only, language. Really, now, how many actors can you point to here that could step into that role? And step into it well? While no one else on the stage understood her character (except her grandmother in the few scenes they had), and most of the audience wasn’t sure what she was saying, Panai made Ayelet, a young Israeli who has reluctantly accompanied her grandmother on a trip to the to states, full and recognizable. This Jason Odell Williams play about fate and a search for love and meaning is slight, and excessively contrived. But this cast of four, directed with a tender touch by Susan Claassen, made ...

Thank you Chuck Graham for this rave review!!! This year give the holidays an ecumenical lift by taking in an Invisible Theater performance of “Handle With Care,” a sweetly charming Jewish Christmas story about finding love in a provincia l Virginia motel the night of Dec. 24, as a gentle snow falls outside on the window sill. All the magic of the seasons – both Christian and Jewish – are sprinkled throughout the play by Jason Odell Williams. Lots of good humor and some tips on Jewish religious traditions fill the animated dialogue being tossed about by Ayelet (Israeli actress Noga Panai), Josh and Edna, played by local talents Luke S. Howell and Lois Lederman. On hand to be the Southern boy who only knows what he's learned in Sunday School is Terrence (Jesse Boone), the hapless DHL driver who had his delivery truck stolen with the body of Ayelet's grandmother inside. Terrence is also best buddies with Josh, whose mother is Jewish and father is Catholic. ...

Arizona Daily Wildcat :: 'A Kid Like Jake' breaks gender stereotypes 'A Kid Like Jake' breaks gender stereotypes By  Ivana Goldtooth  | Published 09/04/14 11:51am It might be hard figuring out what’s so special about the title character in “A Kid Like Jake,” especially since the audience never gets to meet him. The Invisible Theatre attempts to resolve this ambiguity by premiering Daniel Pearle’s play at the start of its 44th season. The story involves a 4-year-old boy named Jake who is just starting his first year of preschool in New York City. Before he can begin, however, his parents must find a private school they think is best for him. The play opens with Alex, Jake’s mother, sitting in the living room, mulling over an essay draft she will submit in a private school application. The essay prompt is to share what makes her child special. Alex realizes that everything about her son is special. He’s bright, inquisitive, loves fairy tales and has an in...

Invisible Theatre launches art season with a winner By  Kathy Allen 0 Review What: The Invisible Theatre’s production of “A Kid Like Jake.” Playwright: Daniel Pearle. Director: Kevin Black. When: 7:30 p.m. Wednesdays through Saturdays and 3 p.m. Sundays through Sept. 14. There will be an additional performance at 3 p.m. Sept. 13. Where: Invisible Theatre, 1400 N. First Ave. Cost: $30. Discounts available. Reservations/information: invisibletheatre.com or 882-9721. Running time: 90 minutes, with no intermission. Arizona Daily Star Here’s a prediction: This will be a good season for theater. At least it will be if The Invisible Theatre’s “A Kid Like Jake,” which launched the 2014-15 season, is any indication. The Daniel Pearle play, which opened Wednesday, is provocative, poignant and heartbreaking. Smoothly directed by  Kevin Black , it is also quite funny, (thankfully) devoid of sentimentality, and propelled by a killer cast. R...

'A Kid Like Jake' poignant, poses hard choices BY KATHY ALLEN Arizona Star Parents trying to do what's best for an imaginative child is at heart of play. Read the entire review here:  'A Kid Like Jake' poignant, poses hard choices

Richard Skipper Celebrates...: Susan Claassen: Celebrating Edith Head! : SUSAN CLAASSEN, managing artistic director of the Invisible Theatre, was named Best Actress by Phoenix New Times for her performance in A ...

Olive   and One-Liners  by  Sherilyn Forrester Charles Busch's  Olive and the Bitter Herbs  is a playful little comedy, notable only for its zippy one-liners and its lead character. But what a character she is. And who better to play her than Susan Claassen, IT's artistic director, who has shepherded this company through most of its history. ...  Olive  is a tasty dish. The cast totally invests itself in the season finale's silliness, no matter how disjointed the story. And Claassen, well, she spreads the wisecracking, acerbic, misanthrope with a heart of—well, at least with a heart—across that tiny stage "like buttah." Read the entire review here:  Olive and One-Liners | Review | Tucson Weekly David Alexander Johnston, Eric Anson, Susan Claassen, Susan Kovitz and Jack Neubeck in Olive and the Bitter Herbs.