Wednesday, November 16, 2011
Sunday, November 13, 2011
Talent shines in play about acting
“Circle Mirror Transformation” is billed as a comedy, but it's also a heady drama about the limits of self discovery
Posted Nov 5, 2011, 10:15 am
Written by Annie Baker, “Circle Mirror Transformation” won the 2010 Obie Award for Best New American Play and made a number of lists for top ten plays of 2009. It’s refreshingly unorthodox structure and setting - a rural classroom of actors playing non-actors who want to be actors - provides a meta-analysis on the nature of acting itself. It’s pure post-modern, but with a hint of quaint.
It must be said up front that portraying an amateur actor ironically requires considerable acting skill. Fortunately, this production has a balanced, talented cast that doesn’t overwhelm the intimate Invisible Theatre space. Director Betsy Kruse Craig keeps a subtle hand on the proceedings, letting the action simmer nervously until it explodes.
To call “Circle Mirror Transformation” a comedy, though probably better for marketing, is to miss more than half of its meaning. Watching five characters flay themselves to uncertain purpose is clearly tragedy. There are some laughs in particular moments, but overall, this is a cathartic work that says much about how we live our lives, questioning how truthful we are to ourselves and others.
Read the entire review here: Talent shines in play about acting | Invisible Theatre:
The cast of 'Circle Mirror Transformation' at Invisible Theatre. (Clockwise from upper right - Carrie Hill, James Henriksen, Lucille Petty, Brian Weez. Center - Molly McKasson
Sunday, November 6, 2011
Read the full review here:http://www.tucsonsentinel.com/arts/report/110411_circlemirrortransformation/talent-shines-play-acting/
Friday, October 28, 2011
AZ Daily Star, "Circle Mirror Transformation" Preview:
Take a peek inside the actors' studio...
Read more: http://azstarnet.com/entertainment/arts-and-theatre/take-a-peek-inside-the-actors-studio/article_58f95309-6e25-5958-add5-01861793c9ab.html#ixzz1c5Jad9w9
Saturday, September 17, 2011
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- By Chuck Graham
Saturday, June 25, 2011
Friday, June 17, 2011
Invisible Theatre's Sizzling Summer Sounds series returns to the Arizona Innby Sherilyn Forrester
Thursday, June 16, 2011
Sizzling Summer Sounds
(520) 882-9721 June 21-July 16!
Sizzling Summer Sounds
8 p.m., Tuesday through Saturday, Tuesday, June 21, through Saturday, July 16
Arizona Inn, 2200 E. Elm St.
$35; discounts and packages available
Ann Hampton Callaway will bring her mastery of multiple musical styles in for three performances, June 23-25. The award-winning composer/lyricist/singer/pianist/actress will not only sizzle, but with her full-hearted approach to making music, she is sure to smolder as well.
Although she now calls New York home, Callaway grew up in the Chicago area and says music was ever-present, so much so that it was "like breathing. I'm really grateful that I experimented with many different art forms, but I felt music was the most beautiful way to draw all the things I love and do into one field of endeavor."
Callaway says that she was particularly inspired by Carole King. "Whatever year Tapestry came out, I was walking around with my allowance and walked by the record store and saw the album. I had never heard of Carole King, but I was so intrigued by the album cover, I immediately bought it on a leap of faith. When I played it, it was an epiphany: 'This is what I want to do with the rest of my life. I want to write songs and sing songs from the heart like this incredible woman.'"
Years later, Callaway and King wrote a song together for Callaway's Slow album. "She didn't want to write the song until the day of the recording, and we worked from 11 a.m. to 2 p.m. to finish it. Then she stayed to hear me record her song 'Will You Still Love Me Tomorrow?' It was one of the greatest days of my life."
Callaway has also collaborated with Barbra Streisand. "I had written a peace anthem, and when I finished it, I just thought, 'This song belongs to Barbra Streisand.' It took seven years to get this song to her, and about 150 rewrites later, she recorded the song—10 years to the day that I wrote it." Streisand also sang Callaway's "At the Same Time" for Streisand's "millennium" concert. "So thanks to Barbra, I have two platinum records and one gold record and a lot of great memories. She was always honest, direct and sweet to me."
Having played several concerts in Tucson before—one with the Tucson Symphony Orchestra—Callaway says she's looking forward to the intimate setting at the Arizona Inn, where she and the audience "can really experience each other. The songs I choose to sing in my shows are so powerful, and I am willing to share who I am and put in all the heart and soul and imagination I can. A night with just me and an audience is a recipe for a lot of magic."