Skip to main content

PORTRAYING THE MANY SIDES OF ALBERT EINSTEIN

TucsonStage.com


PORTRAYING THE MANY SIDES OF ALBERT EINSTEIN

by Chuck Graham

“For some actors, every once in awhile, there comes along a role that fits like a shoe. You don’t know why,” said Ed Metzger, a career professional actor who was a student of Lee Strasberg.


Metzger is speaking of the role he created for himself, doing a one-man show as Albert Einstein. The performance is so realistic even members of Einstein’s own family have come backstage to applaud Metzger. The first time that happened was 1978, when Metzger debuted “Albert Einstein: The Practical Bohemian” in Los Angeles.


On Thursday, March 11, Metzger opens a four-show run of “Einstein” at Invisible Theatre, 1400 N. First Ave.


“When I get on the stage as Einstein, it’s like we become one,” the actor continued. “Doing other roles, I always have to work at getting it right, but not with Einstein. Somehow it always clicks.

“You feel it, but you don’t know why. It’s a melding. Maybe I picked him, or he picked me, I don’t know."


Whatever, for more than 30 years Metzger has enjoyed success coast to coast portraying the world’s most beloved physicist. After Metzger’s successful opening in Los Angeles, he played the role off-Broadway. Enjoying these performances so much, he began to look for other bookings.


“That’s when I started thinking of all the cities between New York and Los Angeles. I found out it wasn’t a vast wasteland out there after all,” Metzger added with a chuckle brightening his Brooklyn accent.


Even on the telephone, when Metzger begins talking about Einstein a more intimate familiarity slips into his voice. One of his favorite quotes from the scientist’s mischievous side: “How does anybody know I’m a genius when they don’t understand my work?”


The Theory of Relativity is what most people associate with Einstein. But in this hyper-concerned era of political correctness and pumped up sensitivity, whenever Metzger talks to audiences he discovers Einstein taking a lot of flak from students for inventing the atomic bomb and dropping a couple of them on Japan.


That level of ignorance gets Metzger more than a little livid.


“Einstein always had good relations with the Japanese, and they still value him. He was even put on one of their stamps.


“But Einstein went crazy when he learned Hitler first discovered how to split the atom,” Metzger continued. “That was in 1939. That convinced Einstein to encourage the start of the Manhattan Project.”

Metzger is proud of having the opportunity to set students straight on several such historical fine points.


While he values Einstein’s contributions as both a scientist and a “relative pacifist,” the portrayal doesn’t put Einstein on a pedestal. It includes many aspects of the man’s personality. Such as Einstein’s fondness for women.

So…um…when Einstein was in his 50s, did he party with Marilyn Monroe when she was a Hollywood starlet?


“I knew that question would come up,” laughed Metzger. “It always does.”


“When I first did the show back in Los Angeles in 1978 and his relatives came backstage, they told me Einstein was a great womanizer. So I asked them, ‘Was it true he was a friend of Marilyn Monroe when she was an engenue?’ but they refused to answer.


“Since then I have never been able to confirm it. All I can say is I hope it’s true,” Metzger laughed. His voice had that special tone one guy would use when talking about his best friend.


“Albert Einstein: The Practical Bohemian” opens at 7:30 p.m. Thursday, March 11, at Invisible Theatre, 1400 N. First Ave. Performances continue at 8 p.m. Friday and Saturday, March12-13, and 3 p.m. Sunday, March 14. Tickets are $30, discounts for groups of 10 or more. Half-price tickets on sale 30 minutes before each performance, when available. For details and reservations, 882-9721, or visit www.invisibletheatre.com


Popular posts from this blog

Theater worth catching. | www.azstarnet.com ®

Theater worth catching. Accent On stage Tucson, Arizona Published: 03.14.2008 http://www.azstarnet.com/ : "If you've watched HBO, you've likely seen Judy Gold. She's the tall comedian with the glasses who interviews moviegoers to fill airtime between shows. She also won an Emmy for her work on 'The Rosie O'Donnell Show.' She's very funny. And she's headed our way. Invisible Theatre brings Gold here to perform her solo off-Broadway show, '25 Questions for a Jewish Mother,' taken from Gold's book of the same name. It consists of interviews she conducted across the country with mothers of varying ages, ethnicities and occupations. She'll perform at 8 p.m. March 29 and 3 p.m. March 30 at The Berger Performing Arts Center, 1200 W. Speedway. There will be an interview with Gold in next Friday's Accent, but we wanted to alert you early in case you want to get tickets — we suspect this will be a hot one. It's written by Kate Moira Ry...
Talent shines in play about acting | Invisible Theatre : Talent shines in play about acting “Circle Mirror Transformation” is billed as a comedy, but it's also a heady drama about the limits of self discovery Posted Nov 5, 2011, 10:15 am Dave Irwin TucsonSentinel.com Written by Annie Baker, “Circle Mirror Transformation” won the 2010 Obie Award for Best New American Play and made a number of lists for top ten plays of 2009. It’s refreshingly unorthodox structure and setting - a rural classroom of actors playing non-actors who want to be actors - provides a meta-analysis on the nature of acting itself. It’s pure post-modern, but with a hint of quaint. It must be said up front that portraying an amateur actor ironically requires considerable acting skill. Fortunately, this production has a balanced, talented cast that doesn’t overwhelm the intimate Invisible Theatre space. Director Betsy Kruse Craig keeps a subtle hand on the proceedings, letting the action simmer nervous...

Setting the stage | www.azstarnet.com ®

Setting the stage www.azstarnet.com ® Accent Setting the stage A well-crafted set complements the acting By Doug Kreutz Arizona Daily Star Tucson, Arizona Published: 07.11.2008 Editor's note: This summer, we are taking a look at the people who make the arts a reality, from the audience to the artists behind the scenes. This week: set designer James Blair. James Blair's work is behind the scenes. Literally. As the associate artistic director for the Invisible Theatre in Tucson, he designs sets for the theater's small stage — creating fanciful and realistic backdrops for the scenes that play out there "It's a great profession. It lets you draw on so many different experiences," says Blair, 56, whose extensive theater experience includes acting and directing as well as set design. "In my work, you're an interior designer, you're an artist, and if you can approach it from a directing or acting standpoint, that makes it even better." Working close...