Skip to main content

Invisible Theatre Auditions - An Empty Plate in the Cafe du Grand Boeuf.

THE INVISIBLE THEATRE ANNOUNCES

AUDITIONS FOR MEN AND WOMEN

for

AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF

The Invisible Theatre will hold auditions for AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF on Sunday, August 23, 2009 at 1:00 pm. Auditions will be held at the Invisible Theatre - 1400 N. First Ave (at Drachman). Actors must bring a recent headshot and resume and will be asked to read from the script. Familiarity with the play is recommended.

Please call the Invisible Theatre (520) 882-9721 with your name and phone contact. You will then be given information on when sides will be available for pick-up.

AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF

Directed by Samantha Wyer

April 28 – May 16, 2010

Rehearsals begin in March

Victor is a man of immense appetites. He is a wealthy and eccentric American expatriate living in 1961 Paris and owns the fabulous Café du Grand Boeuf, the world's finest restaurant, which he reserves solely for his private use. When he unexpectedly arrives in a state of broken-hearted desperation, the staff attempts to lift his spirits by seducing him with culinary splendors, but they find that the way to a man's heart may not be through his stomach. This deliciously wild and zany comedy in seven courses celebrates the joys of cooking, sex, bullfighting, the collected works of Ernest Hemingway and living each moment to its fullest!

"… a treat on the Off-Broadway menu…"

- New York Daily News

AVAILABLE ROLES

VICTOR – In his fifties. Owner of the establishment. An imposing man that takes up space, physically and emotionally. Actor must have a strong comedic sensibility.

CLAUDE – Headwaiter. Late thirties to early forties. Actor must have a comedic sensibility and ability to handle text with descriptive imagery.

MIMI – Waitress. In her thirties. Claude's wife. Pretty and clever with a quick quip ready at all times.

GASTON – The Chef. In his forties. Very proud and very secretly in love with Mimi. A bit of a buffoon.

ANTOINE – Waiter-in-training. Early twenties. Nervous, sensitive young man. Has a stutter. Actor will need to play an instrument such as a tuba, trombone or saxophone or be willing to learn during the rehearsal process.

MISS BERGER – Forties. Victor's beloved. Elegant, sophisticated, faded beauty.

Popular posts from this blog

Theater worth catching. | www.azstarnet.com ®

Theater worth catching. Accent On stage Tucson, Arizona Published: 03.14.2008 http://www.azstarnet.com/ : "If you've watched HBO, you've likely seen Judy Gold. She's the tall comedian with the glasses who interviews moviegoers to fill airtime between shows. She also won an Emmy for her work on 'The Rosie O'Donnell Show.' She's very funny. And she's headed our way. Invisible Theatre brings Gold here to perform her solo off-Broadway show, '25 Questions for a Jewish Mother,' taken from Gold's book of the same name. It consists of interviews she conducted across the country with mothers of varying ages, ethnicities and occupations. She'll perform at 8 p.m. March 29 and 3 p.m. March 30 at The Berger Performing Arts Center, 1200 W. Speedway. There will be an interview with Gold in next Friday's Accent, but we wanted to alert you early in case you want to get tickets — we suspect this will be a hot one. It's written by Kate Moira Ry...
Talent shines in play about acting | Invisible Theatre : Talent shines in play about acting “Circle Mirror Transformation” is billed as a comedy, but it's also a heady drama about the limits of self discovery Posted Nov 5, 2011, 10:15 am Dave Irwin TucsonSentinel.com Written by Annie Baker, “Circle Mirror Transformation” won the 2010 Obie Award for Best New American Play and made a number of lists for top ten plays of 2009. It’s refreshingly unorthodox structure and setting - a rural classroom of actors playing non-actors who want to be actors - provides a meta-analysis on the nature of acting itself. It’s pure post-modern, but with a hint of quaint. It must be said up front that portraying an amateur actor ironically requires considerable acting skill. Fortunately, this production has a balanced, talented cast that doesn’t overwhelm the intimate Invisible Theatre space. Director Betsy Kruse Craig keeps a subtle hand on the proceedings, letting the action simmer nervous...
'In the Mood' fast-paced fun with delicious dialogue, sets Kathleen Allen Arizona Daily Star | Posted: Friday, September 9, 2011 There are many things remarkable about Invisible Theatre, but this one always astounds: The big sets on the tiny stage. Not big in size, but big in concept and execution. That stage is constantly being transformed in impressive ways. And so it is with "In the Mood," which the company opened Wednesday. ... This is a fast-paced comedy with delicious dialogue by Clark, seamless directing by Claassen, and actors who embrace the froth with a giddy sense of delight. "In the Mood" will put you in the mood for some hearty laughter and good fun. Jack Neubeck, as an actor hired to pretend he's a carpenter, and Polly Schlitz, as the pianist with a scheduling conflict, are among the stellar cast of Invisible Theatre's "In the Mood." Read more: http://azstarnet.com/entertainment/arts-and-theatre/article_cec86781-9e7d-5398...